Fraenger
discovered Jacob van Almaengien in Cuperinus' “Kroniek of
s'Hertogenbosch” and then attempted to make him into the
“Hochmeister” of an obscure sect in Brabant. This
cost him the attention of the art-historical profession. Today,
Almaengien is a non-person in art history. Jacob
van Almaengien is required for any meaningful, critical
interpretation of Bosch's work, and his life-long influence on
Bosch is the simplest suggestion compared to alchemy,
psychology, astrology, or anthroposophy. |
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Garden
Triptych Prado, Madrid 1468 |
Jeroen 18 years old |
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Garden
Triptych Prado, Madrid 1468 |
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Wedding at Cana Jacob and Sibylle Copy
Original painting 1473 or later |
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Wings of a Last Judgment Trptych Palazzo Ducale, Venice 1491 |
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The Pridgal
Son 1495 |
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St. John Evangelist dedicated to the admission of Jacob (now Sint Jan) into the Brotherhood of Our Lady in s'Hertogenbosch Berlin only dated painting by Bosch 1496/97 |
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Christ Bearing the Cross Vienna 1499 |
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Christ Bearing the Cross Escorial 1499 |
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The Temptation
of St.Anthony Rescue of St. Anthony Lisbon 1502 |
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The Haywain
1 Escorial 1505
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Sicut Erat in
Diebus Noë 4 side-wing
panels 1515
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Sicut Erat in
Diebus Noë 4 side-wing
panels 1515
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Sicut Erat in
Diebus Noë 4 side-wing
panels 1515
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The Adoration of the Child Copy Cologne 1568 Original 1497 |
at the time of
the painting |